Of course, Benny's comedic gifts were so subtle I can scarcely believe they worked in vaudeville, and so visual besides they would've been rendered impotent on radio as well; where Benny chiefly benefited was in having a certain command over (and an audience in) multiple forms of media at once - meaning radio audiences could easily visualize his rolled eyes and his slow burn, having seen them so often on stage or in film...
By the time The Jack Benny Program became one of the first sitcoms on CBS-TV in October 1950 it had already been on the radio for 18 years, a generation of broadcasting that had transformed a once-minor vaudevillian into a media institution, and even aided in the assistance of the sitcom genre; in many ways, Benny's show was a lot like Seinfeld - the main character had the same name as the star, and lived a vaguely similar life, whereas like his future counterpart in reality both the character and the life he led on camera were actually an inversion of the truth.
Unlike many stars, who took the funniest lines for themselves, Benny played a kind of mannered straight man off of whom everyone else could play - making him an incredibly generous and rare kind of performer indeed. As a result Benny's co-stars - his real-life wife Mary Livingstone, announcer Don Wilson, hapless tenor Dennis Day, friend and confidante Eddie 'Rochester' Anderson, as well as his on-air rival Fred Allen - were all as hugely popular in their day as the man himself.
Having comported himself with grace and dignity for more than 60 years, Jack Benny died in December 1974, having passed on a role in the film version of Neil Simon's The Sunshine Boys - a role that would ultimately earn his longtime friend George Burns an Academy Award.
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