
Somehow Betjeman managed to obtain considerable popularity in his dotage thanks to numerous appearances on television, by managing to become a parody of the slightly dotty professor, an avuncular figure whose fruitless opposition to the indignities then being visited upon the English countryside became must-watch programmes amongst the selfsame smug nouveau-Londoners whose zeal for urban sprawl were largely responsible for that degradation in the first place.
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Poems like Slough offered a visceral reaction to the many horrors of post-war Britain committed by urban planners, whose misanthropy is evident in every block of flats, community centre, and gasworks they got off on tearing down an elegant row of Victorian houses to build. Although Betjeman eventually apologized to the people of Slough for having referred to their city using a peculiar poetic device known as 'the truth', it's not possible for a town which is home to 850 factories to be anything but a visual abortion, no matter how many chav-bait saplings one plants.
Betjeman died in May 1984, survived by his domestic partner Lady Elizabeth Cavendish; his most prominent memorial today is a statue of him outside London's St Pancras Station, the kind of elegant Victorian pile of which he whole-heartedly approved.
*Or, conveniently, whatever third option coincides with your own view.
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1 comment:
Wow. 70 years on, a peom about Slough has become a microcosm of England. I watched Brent's rebuttal and also watched Sir John in debate with Kenneth Williams and Dame Maggie Smith on the same stream. Williams commands the whole thing but it's interesting that the topics they cover are still being discussed in Britain now. Empty buildings for invisible men indeed. And there's a great anecdote about Voltaire at the end.
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