By the time the film The Blue Angel was being shot at UFA in 1930, she was already being molded by the legendary Josef von Sternberg; by the time of her appearance later that year in Morocco the American Dietrich was complete.
Born on this day in 1902, Dietrich contrasted a worldly persona onscreen with a more homely one in real life; the reality was somewhere between the two.
Maximilian Schell's 1984 documentary Marlene captured her, cranky and embittered, toward the end of her life (she died in May 1992); for a bit of contrast, may the Pop Culture Institute recommend The Glamour Collection, 5 movies from the era 1930-1947 (Morocco / Blonde Venus / The Devil is a Woman / The Flame of New Orleans / Golden Earrings) which showcase her at the other end of her life, before the awful toll her celluloid transformation had taken on her psyche began to show.
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