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Her first major Broadway role - as Miss Marmelstein in the 1962 musical I Can Get It for You Wholesale - was a star turn; it not only introduced her to a whole new audience, thanks to an appearance on The Ed Sullivan Show, but to her future husband, Elliot Gould. That TV appearance also nabbed her a recording contract with Columbia, and a series of performances in Lake Tahoe and Las Vegas, opening for Liberace.
She returned to Broadway in 1964, starring as Fanny Brice in Funny Girl; she fought hard to play the role in the inevitable movie version, and not even the fact that she had to share her Oscar with Katharine Hepburn that year seemed to dampen her enthusiasm. Throughout the Seventies, Streisand became one of the top movie stars of her generation, while still managing to churn out best-selling albums by the score (more than 60 to date).
I think it was sometime between the release of The Broadway Album in 1985 and her performance in Nuts (1987) when she first started to bug me; she was, of course, entirely unsuitable in the film, which fact was frequently remarked upon by critics and even greater pundits alike. No doubt this put her on the defensive and no one is at their best in such a circumstance. The last twenty years of her career have been a rollercoaster for me as a fan; a good album or good movie role is usually followed by a pompous or patronizing interview, a charitable act tempered by an ill-considered political pronouncement, and so on.
Still, here I am on the occasion of her 69th birthday prattling on, one of those weird fan people with whom she seems so ill-at-ease...
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