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Surely, though, any thrill Rigg might have had being remembered by history as Tracy Bond - the only Bond Girl to succeed in getting 007 out of bed and down the aisle (in the 1969 James Bond film On Her Majesty's Secret Service) - would have been tempered by the fact that it was with neither Sean Connery or Roger Moore she shared her scenes but George Lazenby, the gap-toothed Australian one-off usurper of the role.
Speaking of bad reviews***, Rigg has always maintained a circumspect and slightly bemused attitude towards her work and the notoriety it engenders; the year after exhorting The Muppets to recover her priceless 'Baseball Diamond' from its pilferers, she relied on her showbiz pals to help her compile a collection of the worst theatrical reviews in history. Entitled No Turn Unstoned, it includes examples from as far back as Ancient Greece; while not well-received upon its first release, the book quickly gained the cult status it enjoys today. In it, she included a particularly ghastly notice of her own by the critic John Simon, regarding a nude scene she'd done with Keith Michell in Abelard and Heloise, to whit: '[Miss Rigg] is built like a brick mausoleum with insufficient flying buttresses'.
A summation, no doubt, with which the generations of teenage boys who experienced their sexual awakening watching her slinking about in a leather catsuit with Patrick Macnee would most vehemently not concur.
Born on this day in 1938, Diana Rigg was created a Commander of the Order of the British Empire (CBE) in 1988 and a Dame Commander of the Order of the British Empire (DBE) in 1994.
*After all, not many actors could successfully keep their dignity while being barraged by the corny jokes of a couple of dozen puppets.
**As winning a combination as there ever was.
***Not to mention extremely clunky segue-ways.
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