Showing posts with label Oscar Wilde. Show all posts
Showing posts with label Oscar Wilde. Show all posts

Tuesday, November 30, 2010

Pop History Moment: The Death of Oscar Wilde

Photo Sharing and Video Hosting at PhotobucketOne story surrounding the death of Oscar Wilde - itself a typically Wildean anecdote - is too good to be true; in fact, it's even better that it is true. As he lay dying in room 16 of the Hôtel d'Alsace in Paris, he quipped: 'Either this wallpaper goes or I do.' It was the sort of ultimatum that only a true aesthete could make, and even in the face of death, beauty mattered most to him.

When Oscar Wilde died, on this day in 1900, it wasn't the decor that killed him, but cerebral meningitis, although his time in jail (1895-7) - first in Pentonville, then in Wandsworth, and finally, most famously, in Reading Prison - had ruined his health.

Today he lies in the Père Lachaise Cemetery, his tomb covered in lipstick traces left by a growing legion of fans, people who have sensibly evolved past the judgemental Victorian hypocrisy which proved his downfall.

The biography of choice remains Richard Ellmann's immensely readable memoir Oscar Wilde; those unwilling or unable to lug around a boat anchor in a slip cover might find Stephen Fry's equally scholarly performance in the 1997 film Wilde more to their liking.
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Saturday, October 16, 2010

Oscar Wilde on "Monty Python's Flying Circus"



Here Graham Chapman plays Oscar Wilde, John Cleese plays James McNeill Whistler, and Michael Palin plays George Bernard Shaw in a somewhat anachronistic scene from Grandstand (aka Episode 39 of Monty Python's Flying Circus), given that Terry Jones is obviously playing Edward VII (they call him 'Your Majesty') even though the sketch is set in 1895, six years before the death of Queen Victoria.
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"The Ballad of Reading Gaol" by Oscar Wilde

Because of the length of The Ballad of Reading Gaol, I've decided to publish only the first part here; however, feel free to follow the link at the bottom of the post and read the rest. ~ MSM

I.

He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
"That fellow's got to swing."

Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.

I only knew what hunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved
And so he had to die.

Yet each man kills the thing he loves
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!

Some kill their love when they are young,
And some when they are old;
Some strangle with the hands of Lust,
Some with the hands of Gold:
The kindest use a knife, because
The dead so soon grow cold.

Some love too little, some too long,
Some sell, and others buy;
Some do the deed with many tears,
And some without a sigh:
For each man kills the thing he loves,
Yet each man does not die.

He does not die a death of shame
On a day of dark disgrace,
Nor have a noose about his neck,
Nor a cloth upon his face,
Nor drop feet foremost through the floor
Into an empty place

He does not sit with silent men
Who watch him night and day;
Who watch him when he tries to weep,
And when he tries to pray;
Who watch him lest himself should rob
The prison of its prey.

He does not wake at dawn to see
Dread figures throng his room,
The shivering Chaplain robed in white,
The Sheriff stern with gloom,
And the Governor all in shiny black,
With the yellow face of Doom.

He does not rise in piteous haste
To put on convict-clothes,
While some coarse-mouthed Doctor gloats, and notes
Each new and nerve-twitched pose,
Fingering a watch whose little ticks
Are like horrible hammer-blows.

He does not know that sickening thirst
That sands one's throat, before
The hangman with his gardener's gloves
Slips through the padded door,
And binds one with three leathern thongs,
That the throat may thirst no more.

He does not bend his head to hear
The Burial Office read,
Nor, while the terror of his soul
Tells him he is not dead,
Cross his own coffin, as he moves
Into the hideous shed.

He does not stare upon the air
Through a little roof of glass;
He does not pray with lips of clay
For his agony to pass;
Nor feel upon his shuddering cheek
The kiss of Caiaphas.

[To continue reading...]
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In Memoriam: Oscar Wilde

Novelist, poet, playwright, bon-vivant, and the foremost wit of the Victorian era, Oscar Fingal O'Flahertie Wills Wilde was born on this day in 1854, in Dublin; his father was the noted ear and eye specialist William Wilde, his mother the successful writer Jane Francesca Elgee, an Irish nationalist who wrote under the name Speranza.

Photo Sharing and Video Hosting at PhotobucketWilde's precocity was evident from an early age; home-schooled until the age of nine, he was sent away to Portora Royal School first, then to Dublin's Trinity College. Having excelled at his schoolwork, Wilde was awarded a place at Magdalen College, Oxford, where he studied the classics and rowed crew.

At one time enamored of Florence Balcombe (who later married Bram Stoker), in May 1884 Wilde married Constance Lloyd; together they had two sons, Cyril and Vyvyan, who after their father's 1895 downfall would be known by the name Holland. Although Wilde had been aware of his attraction to men throughout his life (thanks to early liaisons with Frank Miles and Robert Baldwin Ross) it cannot be said for sure when he first engaged in 'the unspeakable vice of the Greeks', or with whom. However, it was his relationship with Lord Alfred Douglas which was to prove both the apex of Wilde's homosexual life, even if their illicit love would also bring about the nadir of his reputation.

While it lasted, though, what a reputation it was! Built on such novels as The Picture of Dorian Gray (1890) and theatrical comedies of manners as Lady Windermere's Fan (1892) and An Ideal Husband (1895) their aesthetic flamboyance and (for the times, anyway) racy dialogue was nothing compared to Wilde's own patented affectations - principally a wardrobe of velvet and satin combined with a flair for caustic witticisms. In a society for which the best-suited adjective will always be 'stuffy' Wilde was a breath of fresh air... Alas, Victorian society was stuffy for a reason, and those who'd made it that way increasingly sought to keep it stuffy at whatever cost.

It was at the beginning of April 1895, at the pinnacle of his greatest success - as author of the hugely successful play The Importance of Being Earnest - that Wilde sued Douglas' father, the irascible* Marquess of Queensberry, for libel; before the trial was over, thanks in no small part to the legal maneuvering of Edward Carson QC, not only was Queensbury's libel disproven but Wilde and his quick wit would be vanquished. Encouraged by the few friends he had left to flee to the Continent, Wilde refused.By the end of the month he'd been arrested outside Knightsbridge's Cadogan Hotel and would soon thereafter be sent to jail - first to Pentonville, thence to Wandsworth, and finally to Reading Prison (wherefrom sprang his famous Ballad). Released in 1897 after two years imprisonment, his health ruined, Wilde settled in Paris (often under the assumed name of Sebastian Melmoth); he died 3 and a half years later, in November 1900, in room 16 of the Hôtel d'Alsace - his condition apparently aggravated by the decor**.

Initially buried outside Paris at Cimetière de Bagneux, his body was later moved to its current resting place, at Père Lachaise Cemetery, within a tomb designed by Sir Jacob Epstein: as proof of the rehabilitation of Wilde's memory, his final resting place is today covered with lipstick traces, and is among the most visited in that hallowed ground.

Oscar Wilde has been best played onscreen by Stephen Fry in the 1997 biopic Wilde, which was itself based on Richard Ellmann's definitive 1989 biography; interest in Wilde, though, remains high - as evidenced by recent works like Oscar Wilde Discovers America: A Novel by Louis Edwards.

*Which is putting it mildly... He was, in fact, a major league prick - yet his other accomplishment in life were rules for fair play in the pursuit of pugilism.
**He did, after all, famously quip from his death bed: '
My wallpaper and I are fighting a duel to the death. One of us has got to go.' In truth, Wilde succumbed to cerebral meningitis.
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