Showing posts with label Pat Benatar. Show all posts
Showing posts with label Pat Benatar. Show all posts
Monday, January 10, 2011
"We Belong" by Pat Benatar
In the video for We Belong, from her 1984 album Tropico, Pat Benatar is great with child; a rare ballad for the leather-lunged Queen of Stadium Rock, the song was her last major hit. Still, it's a pretty good swan song for a career that entailed thousands of concert appearances and millions of records sold; which makes it the ideal song to finish out a hat trick of videos for her birthday.
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"Shadows Of The Night" by Pat Benatar
From Pat Benatar's 1982 rock/New Wave hybrid album Get Nervous, it's Shadows of the Night, with its cool WWII-era inspired video, costarring the then-unknown actors Judge Reinhold and Bill Paxton; keeping in mind, this video was released two years before Jonathan Demme's film Swing Shift, starring Goldie Hawn and Kurt Russell, with which it shares an ethos.
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"Love Is A Battlefield" by Pat Benatar
It was one of the MTV era's first smash hits, a story video so perfectly melded with a solid pop-rock song that even today, if played at any venue where Gen-Xers are assembled, all will fall into its dance steps as if by habit.
Love is a Battlefield featured the first electronic elements of any Pat Benatar song, signalling the deep inroads European pop had made into the world of American rock; originally appearing on her 1983 album Live from Earth both the song and the video were so popular as to be ubiquitous.
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Happy Birthday Pat Benatar
Every so often there's an event here at the Pop Culture Institute that gets me as excited as Dick Cheney at a Halliburton shareholders' meeting; today it's the birthday of a woman whose incendiary voice and incandescent stage presence blazed a trail for women in music...
The 1970s was the era of cock rock: big hair, tight clothes, soaring falsettos... And those were the men! In the midst of it all - 1977 to be exact - came a diminutive Polish-Irish hybrid from Staten Island who showed everyone (regardless of chromosomes) how it was done.
In 1979 Pat Benatar's debut single Heartbreaker raced up the charts; that first album, In the Heat of the Night, also yielded the single We Live For Love. The hits continued: 1980's Crimes of Passion gave us Treat Me Right, You Better Run, Hell Is For Children, a cover of Kate Bush's Wuthering Heights, and a single so blazing it still has the power to wow: Hit Me with Your Best Shot.
Having not merely overcome her sophomore slump but kicked it to death, Benatar and her guitarist husband Neil Giraldo continued to churn out the hits; 1981's Precious Time featured Fire & Ice and Promises in the Dark, and 1982's Get Nervous Anxiety (Get Nervous), Looking For a Stranger, Little Too Late, as well as that year's ubiquitous Shadows of the Night.
In 1983 Benatar brought her live show to all those who couldn't get to it, with the album Live from Earth, which featured 2 studio tracks, including her masterwork Love is a Battlefield; that single also appeared in 1984's Tropico, along with We Belong.
By the time her seventh album in seven years - aptly entitled Seven the Hard Way - appeared it was time for Benatar to pull back. After promoting the singles Sex as A Weapon and Invincible (which was far more memorable than the movie it was written for, The Legend of Billie Jean) Benatar took three years off to rest and spend time with her young family.
Since then she's released five more albums, only one of which charted any singles - All Fired Up, from the 1989 compilation album Best Shots, was big in the UK - even as they charted new territory for her artistically. Currently she lives in a remote location on Maui, where she farms organically with her husband and two daughters, Haley and Hana.
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