
Sadly, there's no credible evidence that any of the portraits thought to be of her (including this one) actually depict her; this matter is discussed entertainingly - and at predictable length - in an article by Cynthia Zagan which appeared in an October 2007 issue of The New Yorker.
Yet despite what little we do know about her, interest - and therefore scholarship - proceeds undaunted; trust Alison Weir to have dug into the story afresh and come up with an engaging new take on an old tragedy in her 2007 book Innocent Traitor. In the end it seems to be the lack of information surrounding Lady Jane Grey which imbues her and her tragic story with a kind of emotional credibility that should - but doesn't need to - be backed up by facts for maximum impact.
Following the separation of their heads from their bodies Jane and Guildford were buried in the Chapel of St Peter ad Vincula within the Tower of London; in the end Suffolk outlived his daughter by a week, when he was executed both for his role in the earlier Wyatt's rebellion and his more recent efforts on behalf of his offspring. Within a month after her family was doubly riven by execution Jane's mother - the formidable Lady Frances Brandon - married her chamberlain Adrian Stokes and was never heard to mention either of their names again.
Although the 16 or 17 years of the life of Lady Jane Grey have always served as a subplot within the panoply of the Tudor era, in 1985 she was given her rightful place at the centre of her own saga in the film Lady Jane, played as she was by the brilliant Helena Bonham Carter.
*
share on: facebook
No comments:
Post a Comment